"I was interested in many things. Jerry would reiterate the length of each silence, encouraging us to find a duration that would make the audience and even fellow cast members uncomfortable. Many people, including some of his family, never forgave him and he was guilt-stricken. He simply pulled my head forward to place a kiss on my forehead. Robbins received two Academy Awards (for the film West Side Story), four Tony Awards, two Emmy Awards, the Screen Directors Guild Award, the New York Drama Critics Circle Award, and the National Medal of the Arts. For his version of Wagner opera at the Metropolitan Opera, director Franois Girard went for a cosmic, fantastical setting. . Instead, Edward Villella stood alone onstage, his back to the audience, and began to dance almost tentatively to the Chopin piano piece being played. Moves, an experimental work originally created for Jerome Robbins Ballets: U.S.A. in 1959. But unlike others who created ballets with pioneers and cowboys, Mr Robbins did not indulge in 'Americana'. By The New York Public Library for the Performing Arts. Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree. Photo by Martha Swope/The New York Public Library for the Performing Arts. The stories of Jerrys anger are legendary. 300. He granted us license to read the environment, suggesting each performance might allow for longer or shorter pauses. Does that make sense?. | The repetitive patterns of Glass music impelled images of city traffic and individuals preoccupied with their own paths. Remember, youre an Indian scout moving through the forest trying not to make a sound. As he said this, he demonstrated his words perfectly. Deprived of a college education by the Depression, he began his career as a dancer in the experimental troupe of Gluck Sandor. Meeting his standard or a shared standard was an apex of artistry, athleticism and even intellect. Robbins programs, tributes and festivals are taking place in Pittsburgh, San Francisco, Chicago, Seattle, Miami, Paris and New York City. Influence of Latin American music and dance enriched jazz dance: as was seen in : West Side Story, choreographed by Robbins. This is so much better than having to continue that rehearsal., Balanchine and Robbins working on 1972s Pulcinella at NYCB. Moments after the curtain descended, he was onstage making more changes. Once sidelined, I apologized and she responded, Oh no, thank you. Though my second shot was met with approval, each subsequent performance was held to his high standard, with some hitting the mark and some less successful. The first quintessentially American choreographer, he fulfilled the American dream without ever fitting it: a small-town boy who made it big in ballet and on Broadway, he was also a self-proclaimed "Jewish ex-commie fag who had to go into a mental hospital". Uptown ballrooms, such as the Ritz, were also important outlets. Soon, pops of ire and annoyance filled the room and attention shifted to intensified focus. He agonized over the demise of others, like his muse, Tanaquil Le Clercq, and the many dear friends who died during the AIDS epidemic. Later that year Robbins and Bernstein, in collaboration with the lyricists Betty Comden and Adolph Green, expanded Fancy Free into a successful Broadway musical called On the Town. Said former theatre critic Frank Rich, It was as if, for the first time, something modern and new was crashing into the commercial Broadway world. Robbins also co-directed the film version of West Side Story with Robert Wise; and although he was let go before completion for allowing his perfectionism to wreak havoc with the budget, he still won two of the movies ten Academy Awards, for his co-direction and his choreography. What did the Prodigal eat? After leading Fedora earlier this season, the soprano is back at the Metropolitan Opera as Norma. On our first day, Jerry asked me to make my entrance. Your rating is required to reflect your happiness. And eight months later Robbins and his collaborators turned the ballet into On the Town, a Broadway hit that extended the boundaries of what the musical could achieve. In 1962 he directed the American premiere of Arthur Kopit's mordant mother-son comedy, Oh, Dad, Poor Dad, Mama's Hung You In the Closet and I'm Feelin' So Sad and in 1963 a production of Brecht's Mother Courage and Her Children starring Anne Bancroft. The son of Russian-Jewish immigrants, Rabinowitz studied chemistry for one year at New York University before embarking on a career as a dancer in 1936. Robbins knew that dance could best convey a primary conflict of West Side Story--the battle between gangs over turf. Jerome Wilson Rabinowitz was born in Manhattan on October 11, 1918. Notes Mikhail Baryshnikov, For Jerry, every achievement was torturous. But despite a bicycle accident in the 1990s and open-heart surgery in 1995, Robbins kept making dance. The 2023-2024 season at the famed New York venue will also feature an evening with Tony winners Sutton Foster and Kelli O'Hara. Moments later I was in the hall with Jerry as she turned the corner, still sobbing. The character. Robbins attended New York University in 1935, intending to study either chemistry or journalism, but the Great Depression forced him to drop out because his family could no longer afford tuition. But threatened by exposure of his homosexuality, he at length agreed to testify before HUAC and named eight people. In the savage little ballet, Nora Kaye played the novice in an all-female insect community, who must prove that she can mate with a male and then kill him. A greater compliment Ive never known. (The original musical was successfully revived on Broadway in 1980.) %PDF-1.5 % How many films did Fred Astaire star in between 1938-1968. pirouette. The same programme is at Sadler's Wells in London, 1-5 December. When you step, you want to be very careful not to break any twigs that might be underfoot. There he won audiences with his performances in Balanchines Prodigal Son, Tyl Ulenspiegel and other ballets, and with the innovative, character-based choreography of such works as The Guests, Age of Anxiety, and The Cage. West Side Story was immediately recognized as a major achievement in the history of the American musical theatre, with its innovative setting, electric pacing, and tense, volatile dance sequences. If a plot was involved, he might want a dancer to know what his/her character had eaten for dinner the night before. In his later years, the legs did less but the eyes did more. This resource is useful for teaching the American Jazz Dance strand of A Level Dance. Fun Facts I love the way there are references to Fosse style, combined with new choreography utilizing the Fosse aesthetic. In 1976, that was me. 853 0 obj <>stream So what did you have for breakfast this morning? he asked. Bach), Glass Pieces (Philip Glass), and The Four Seasons (Giuseppe Verdi), he found ways to make formal patterning suggest a society following its rules. Though I was working with Jerry frequently at this point, Prodigal was the first major role he coached me in. Q & A with Producer/Director Judy Kinberg. 195 0 obj <> endobj He loved academic ballet, but he also used popular styles and everyday movements. In his lifetime, Robbins created 54 ballets and choreographed or directed more than 20 Broadway shows. One of them, the late actress Madeleine Lee Gilford, says that as a result she and her husband, actor Jack Gilford, did not have any TV or film work and we managed mostly on unemployment insurance. Robbins himself never spoke of his testimony publicly; in his journal he wrote, Maybe I will never find a satisfying release from the guilt of it all.. Dance Business Weekly: Best moves for your business Robbins conceived, directed, and choreographed this work, which featured a musical score by Bernstein, lyrics by Stephen Sondheim, and set designs by Robbins longtime collaborator Oliver Smith. A version of this story appeared in the January 2018 issue of The composer returns to the Metropolitan Opera with a new futuristic take on Wagner's epic. Jerry was a coach like no other. His timing was impeccable and indisputable. Jerome Robbins . I think youre ready. Hear about the man and his work from the dancers, directors, and choreographers who worked with him. Later, during a difficult rehearsal of the Spring section of Give me something to dance about and Ill dance it, he once told Irving Berlin. Jerome Robbins was caught between the moon and New York City. In his short career he developed a dance training technique that continued to be used by instructors into the . Jerome Robbins directs Larry Kert and Carol Lawrence during rehearsal for the stage production West Side Story (1957) by Friedman-Abeles The New York Public Library for the Performing Arts. Madonna paid tribute to the original Marilyn Monroe number in her Material Girl video choreographed in 1985 by Kenny Ortega. After Fiddler On the Roof in 1964, Robbins left musical theatre for good. He can be serious and symbolic (Les Noces, 1965), but also comic (The Concert is a send-up that surely inspired the Trocks). He's also worked with no music (Moves, 1959) and with almost no movement (Watermill, 1972). In 1940 he joined Ballet Theater (now American Ballet Theatre), where he soon began dancing such important roles as Petrouchka. Jerome Robbins directs dancers in rehearsal for the stage production West Side Story (1957) by Martha Swope The New York Public Library for the Performing Arts Robbins combined ballet,. It revealed ideas that were to shape Robbins work, both in ballet and on Broadway. The two stare, and then begin moving together, in sync but not touching. William Berger The world lost a legend that day, but fortunately for us, Fosse, a "dancin' man," left his footprints forever on the sands of time. He fought his way through . On Balanchine's death in 1983, Robbins was appointed artistic director (alongside Peter Martins). Even in ballets with large casts and music by diverse composers, such as The Goldberg Variations (J.S. 1940's-70's Jerome Robbins Jerome : Robbins' style of jazz dance combined with classical ballet, contemporary dance, vernacular dances/ dances from other culture s and everyday . New York City Ballet Celebrates Stravinsky and Balanchines Enduring Partnership This Spring, New York City Ballet Cancels Remaining Performances of, Choreographers Sidra Bell and Andrea Miller on Their Fall 2021 Premieres, How Sonya Yoncheva Is Bringing Her Experience as a Mother to, Lea Michele to Make Carnegie Hall Debut; Patti LuPone, Norm Lewis, More Will Return. The Jets and Sharks in West Side Story are not chorus boys. Theyre edgy, they hunker down into dancing or launch themselves into the air without denying that effort. What was the name of the song at the beginning of the 1964 Broadway hit that showed Jerome was an advocate of telling at the top of its show what it's about to see? He studied a wide array of dance traditions, appeared with the Gluck SandorFelicia Sorel Dance Center, and danced in the chorus of several Broadway musicals. Robbins soon became not only king of Broadway, but also the first American-born ballet choreographer of international standing. A multi-faceted individual, his work ranged from classical ballet to contemporary musical theater, and he also occasionally directed films and television programs. hXmoF+1QbW'$ .BB.62C 33>6\F7$!R5"\DFx(@/D@$:@;E4pD8og'!Qypp It would be unfair and incorrect to characterize Jerry purely as a taskmaster or a whip-cracker. Christopher Browner He retired in 1990 and continued to work on individual projects. 2) Material Girl by Madonna The father of American jazz dance, Jack Cole, choreographed this number to Diamonds are a Girl's Best Friend for Marilyn Monroe in the 1953 film Gentlemen Prefer Blondes. When Robbins finally approved the Cool routine for the West Side Story film, the dancers trying to ensure they wouldn't have to do yet another take burned their kneepads outside his office. Tragedy awaits. Jerome Robbins was a perfectionist and a demanding taskmaster. Every day for a week, we worked together. "Terry Teachout, New York Times, 2001, "There are two choreographers inside Jerome Robbins: the breezy Broadway showman, and the introverted artist drawn to dark spaces and dark moods. Bob Fosse. For the next phase of his career Robbins was to divide his time between musicals and ballet. Dance Spirit: Always on the beat Why cant we talk about the way we dance today, and how we are? Recruiting an unknown young American composer named Leonard Bernstein to write a score, he concocted Fancy Free, a jazz-inflected ballet about three sailors on shore leave that received 22 curtain calls at its premiere on April 22, 1944. 9-11 July, Lowry, Salford. Larry Kert and Carol Lawrence in dance at the gym scene from the stage production West Side Story (1957) by Martha Swope and Scenic Design by Oliver Smith, Rosaria Sinisi The New York Public Library for the Performing Arts. 1960's socio-political . In 1964 he directed and choreographed Fiddler on the Roof, which became the longest running musical of its time. Deprived of a college education by the Depression, he. Accepting his sexuality was a near lifelong challenge. This is when he began to create his first choreography. Omissions? If he did find release, it was in his work. For the Broadway stage, Robbins choreographed a string of musicals, including Billion Dollar Baby (1946), High Button Shoes (1947), and Look Ma, Im Dancin (1948). He was, however, tortured by doubts and insecurities. Dancer and choreographer Jerome Robbins was undeniably one of the most important figures in American danceand he would have been 100 years old this year. Two years later, in creating Afternoon of a Faun, he set his imprint on Claude Dbussys Prelude laprs midi dun faun, which accompanied Vaslav Nijinskys 1912 work for Serge Diaghilevs Ballets Russes. Its references to Giselle are contemporary and unnerving; in it, pointe shoes are wielded like stingers. What time does your father wake up on most days and what time did he wake up today? February 28, 2023, By His life was a tapestry of both triumphs and torture. Theres no story; Robbins felt strongly about that. In many musicals, he integrated dance seamlessly with character, story and music. On the other hand, the three successive duets of In the Night, which are set to Chopin nocturnes (or night music) are more elegant, more temperamental, less breeze-blown, even though each portrays a different kind of relationship. Let us know if you have suggestions to improve this article (requires login). Jerome Robbins was born in 1918 in New York. Tradition. What three combinations of styles did Fred Astaire perform? His last work, Brandenburg, premiered there in 1997. "He was really a Broadway man" or "He was a really a ballet man". Robbins combined ballet, jazz, and pedestrian movements to create dance that conveyed the restless, dynamic energy of youth. Starting with the mold-shattering %PDF-1.7 % It was also to be Robbins last but he continued to push the limits of his art, exploring experimental theatre with the American Theatre Lab in the late 1960s, and returning triumphantly and joyously to ballet with works like Les Noces, Dances at a Gathering, Goldberg Variations, Glass Pieces, and many others. He won Tony Awards, Oscars, accolades and honors, and yet demons and self-doubt characterized much of his existence. Wit could leaven a section, as when shivering women brace themselves against the blasts of male winds in the Winter section of The Four Seasons. 30 films. Their mesmerizing waltz ends in a kiss, only lips touching, as the swirl--and battles--of the dance around them soon puncture their world. registered in England (Company No 02017289) with its registered office at Building 3, Photo by Martha Swope/The New York Library for the Performing Arts. Jerome Robbins in rehearsal for the stage production West Side Story (1957) by Friedman-Abeles The New York Public Library for the Performing Arts. Such desires influenced his choreographic style and the movements he chose. He came down hard on artificiality and dancers who played to the audience. Jerome Robbins, the choreographer and director, eventually realized he could do the setup of the whole production best in dance. He sat in the front of the room and watched without interruption or emotion before rising to say I wasnt ready. Rhapsody, Todd Sams, Clifford McGhee and Bethany Strong are listed as choreographers for "Get Me Bodied." He continued to make award-winning dances for Broadway as well, and with The King & I earned his first ticket to Hollywood. Influence: Jerome Robbins, "Cool" from West Side Story. | This article was most recently revised and updated by, https://www.britannica.com/biography/Jerome-Robbins, Public Broadcasting Service - Biography of Jerome Robbins, Official Site of the Jerome Robbins Trust and Foundation, American Ballet Theatre - Biography of Jerome Robbins, Jerome Robbins - Student Encyclopedia (Ages 11 and up). What was Robbins' next big success on Broadway in 1964? The importance of the work of George Balanchine and Jerome Robbins is emphasized because they both worked extensively on Broadway and in ballet companies, Dance Spirit After performing in several musicals, he joined Ballet Theatre (now American Ballet Theatre) in 1940, where he made his first piece at the age of 25, with a score by the equally young and unknown Leonard Bernstein. When directing and choreographing Fiddler on the Roof (1964), having also offered his opinions on the scenario as it developed, he not only plumbed his own Russian heritage, he took various cast members to Jewish weddings. Andrew Gans Carol Lawrence, Jerome Robbins, Larry Kert, and the cast in rehearsal for the stage production West Side Story (1957) by Friedman-Abeles The New York Public Library for the Performing Arts. After he dropped out of school, his sister (a professional modern dancer) helped get him a few jobs. Robbins wanted dancers to approach classical steps as if rising onto pointe was no more unusual than an intake of breath, and a turn could seem a giddy impulse (no showing a planted preparation to spin as if it were interesting in itself). A detailed timeline of the events, works and influences of Jerome Robbins. Jerome Robbins directs the cast in rehearsal for the stage production West Side Story (1957) by Martha Swope The New York Public Library for the Performing Arts. QUICK FACTS Name: Jerome Robbins. In 1984, with the help of original cast member Wilma Curley, Jerry revived It was never shown: Robbins never finished it. Here in "Cool," the Jets are coiled and tense, trying to find control in a chaotic world. Why is he up earlier than usual?. Michael Jackson's "Beat It" did so as well in 1982. General Info: 409.880.7011 4400 MLK Blvd., PO Box 10009, Beaumont, Texas 77710. Photograph: Murdo Macleod, Or go and see West Side Story on Broadway. Urban energy: a scene from West Side Story at the Tony awards in 1989, Musical comedy in ballet, not on Broadway: The Concert (Paris Opera Ballet), Excerpts from Glass Pieces, with dancers' commentary (New York City Ballet), The strange, stylised erotics of Afternoon of a Faun: Jacques d'Amboise and Tanaquil LeClercq from the New York City Ballet in 1955. Dancers in rehearsal for the stage production West Side Story (1957) by Friedman-Abeles The New York Public Library for the Performing Arts. Did you hear the coughing? As he started to leave, I called him back and asked for another chance. Fancy Free was Robbins first ballet, created for Ballet Theatre in 1944 when he was just 25. But in terms of personal background and stylistic interest, Robbins had more in common with his contemporary Leonard Bernstein, with whom he worked several times. His Broadway shows include On the Town, Billion Dollar Baby, High Button Shoes, West Side Story, The King and I, Gypsy, Peter Pan, Miss Liberty, Call Me Madam, and Fiddler on the Roof. Copyright 1991-2023 Playbill Inc. All Rights Reserved. Originally intended to fund dance and theatre projects, the foundation also provided financial support to projects combating the effects of the AIDS crisis. Robbins became the most sought-after choreographer on Broadway. Deborah Jowitt, a dance critic and historian, is the author of Jerome Robbins: His Life, His Theater, His Dance. The following day, I reported to a much larger windowless studio on the fifth floor known as the main hall. But watching the hour-long ballet, you sense daylight, the outdoors, and friends celebrating together to the array of Chopin mazurkas, etudes, and waltzes. Robbins never married or had children. During the McCarthy witch-hunts of the 1950s, he was hauled before the House UnAmerican Activities Committee, where he confessed to having been a communist. Mr. Cole's Oriental influences started back from his time with Denishawn Dance Company, founded by Ruth St. Denis and Ted Shawn. Bob Fosse. Jerome Robbins Broadway, a compilation of excerpts from 11 Broadway musicals that Robbins had directed or choreographed, opened on Broadway in 1989. He wanted them to look real despite their virtuosity, to see and react to the others onstage. It wasnt that he wasnt helpful or encouraging, just begrudgingly so. This genius for capturing the essence of an age was the Robbins signature. About half of the dancers from New York City Ballet were on hand, plus a coterie of bustling ballet masters and Mr. Robbins. TUCSON . He seemed to demand inhuman effort. Jerome Robbins directs dancers in rehearsal for the stage production West Side Story (1957) by Martha Swope The New York Public Library for the Performing Arts Robbins combined ballet,. Sign up for any or all of these newsletters A detailed timeline of the events, works and influences of Jerome Robbins. Blocking belongson the stage,not on websites. endstream endobj startxref It was a role given to the tiniest boy who could follow directions at the School of American Ballet. The second features chamber music masterpieces, including the composer's well-known String Quartet performed by Quartet Integra. They jump skyward and then slither slowly to the floor, energy now tightly bound. To make dance central, Robbins demanded 8 weeks of rehearsal rather than the typical 4. He nurtured many and helped those he worked with find their best selves. Robbins's work is astonishingly varied. It was quickly turned into a big Broadway musical, On the Town, and then an even bigger Hollywood film, starring Gene Kelly and Frank Sinatra. In 1948, he reconnected with Balanchine, who had just founded the New York City Ballet with Lincoln Kirstein. He was both, OK? He also ensured that all the primary actors could move well, with Chita Rivera (pictured here in the front, right) outshining them all. He has often matched movement closely to music, such as the piano pieces Dances at a Gathering or In the Night. By My first rehearsal with the legendary choreographer was underway. To be, unmistakably, itself. He also created the dance sequences for the musicals Call Me Madam (1950), Rodgers and Hammersteins The King and I (1951), and The Pajama Game (1954); and he adapted, choreographed, and directed a musical version of Peter Pan (1954) that was subsequently adapted for television in 1955 and for which Robbins won an Emmy Award. Lester Horton, (born January 23, 1906, Indianapolis, Indiana, U.S.died November 2, 1953, Los Angeles, California), dancer and choreographer credited with launching the modern dance movement in Los Angeles and for establishing the country's first racially integrated dance company. get the Broadway The Golden Years Jerome Robbins And The connect that we give here and check out the link. How the Choreography of Jerome Robbins Shaped Ballet and Broadway. In the early 1940s, when young Jerome Robbins was a dancer in a newly founded company, Ballet Theatre, he already had ambitions to be a choreographer, and he finally presented a scenario that appealed to the management. The dancer burst into tears. 215 0 obj <>/Filter/FlateDecode/ID[<2EC6FDBDB8198B439E063CFE7ED01FAF>]/Index[195 45]/Info 194 0 R/Length 93/Prev 50252/Root 196 0 R/Size 240/Type/XRef/W[1 2 1]>>stream I remember many words, many moments, his belief in my ability and even his understanding of my misses. One sensed his tolerance was as thin as spring ice. The Rabinowitz family later moved to Weehawken, New Jersey, when Jerry's father and uncle opened the Comfort Corset Company. Report this resourceto let us know if it violates our terms and conditions. The simple story concerned three American sailors on a 24-hour shore leave in New York City and their search for female companionship. Jerome Robbins was caught between the moon and New York City. There are many elements of the original Fosse piece that you can see in this video; some of the opening dialogue, the set, the pony-tail hair throw, the dancers in cages, the isolations with punches and contractions, the knockout line from "The Heavyweight" section, the special effects, and more. Chita Rivera, Carol Lawrence, Jerome Robbins, and Larry Kert in rehearsal for the stage production West Side Story (1957) by Friedman-Abeles The New York Public Library for the Performing Arts. In making Fancy Free, for example, he had absorbed Paul Cadmus raunchy paintings of sailors and their girlfriendspaintings with such names as Follow the Fleet and Shore Leave. He won acclaim for highly innovative ballets structured within the traditional framework of classical dance movements. This is where I knew Jerry. This resource is useful for teaching the American Jazz Dance strand of A Level Dance. Fearful for his career and of public exposure of his sexuality (Montgomery Clift was a former lover), Robbins then named eight other members. West Coast jazz is often seen as a subgenre of cool jazz, which consisted of a calmer style than bebop or hard bop. Jerry determined at a young age that the "confines" of his family's business were too much for him. But in the midst of this success, Robbins found himself swept into the whirlwind of the McCarthy era and, as a former Communist, pressured by the FBI to name the names of party associates at hearings held by The House Committee on Un-American Activities. Even a 10-year-old can sense true benevolence and feigned benevolence. Robbins created many important ballets for NYCB, some of the earliest being The Cage (1951), Afternoon of a Faun (1953), and The Concert (1956). Q( Natan Zamansky In 1965 Robbins resumed creating ballets with his acclaimed Les Noces. We didnt have a friendshipfew dancers didbut the respect was mutual and earned. "Anna Kisselgoff, New York Times, 1998, "Robbins sought to turn the humble musical comedy into something approaching a totally unified work of art. Robbins knew that this moment was crucially important. A decade after my debut as Cupid, I was an NYCB corps member cast in the title role of Balanchines Christopher Browner Created on PowerPoint so therefore can be edited easily to provide the best resource for your students. Jerome Robbins, choreographer of West Side Story, transformed the Broadway musical with his distinctively American style of dance. But with Jerry, it was always about the work and making the work as good as it could possibly be. 200. Jerome Robbins is valued as one of the most important artists of the 20th Century. Photograph: AP, Scottish Ballet perform Afternoon of a Faun in 2006. hb```:VI aBEB8$@$ |,A:U'q+ UoD3-`[_iFF;Z0 ^ Wagner had a profound influence on [Debussy . Three sailors on shore leave in New York City (Robbins played one of them) was a timely topic in 1944, and audiences received the ballet enthusiastically. Mambas, cha-chas, and jazz contractions. I don't want to fall into profundities and artistry and surround everything with whipped cream. Although his work was garlanded with 48 prestigious awards, Robbins rarely felt satisfaction with his success. He listened to recordings intently, over and over, and let them ignite images of a ballets atmosphere and those who peopled it. 2018 would have marked his 100th birthday, and much of the world is celebrating his tremendous influence. In the early 1940s, when young Jerome Robbins was a dancer in a newly founded company, Ballet Theatre, he already had ambitions to be a choreographer, and he finally presented a scenario that. | Robbins received the 1958 Tony Award for best choreography for the Broadway version and Academy Awards for his choreography and codirection (with Robert Wise) of the highly successful 1961 film version. Robbins was first known for his skillful use of contemporary American themes in ballets and Broadway and Hollywood musicals. No one really called Jerry back and told him to sit down, but I saw an essential if not career-defining opportunity about to disappear forever. Tes Global Ltd is Good! said ballet master Tommy Abbott. PBS is a 501(c)(3) not-for-profit organization. Carlos Acosta's programme includes two pieces by Jerome Robbins (Afternoon of a Faun and A Suite of Dances). In that moment, at age 10, I found one of the greatest coaches I would ever work with. Or go and see West Side Story on Broadway. Where was Michael Bennet from? The idea for West Side Story first came from choreographer Jerome Robbins, who in 1948 had an idea to modernize Shakespeare's Romeo and Juliet using warring Jewish and Catholic street gangs as . endstream endobj 196 0 obj <>/Metadata 5 0 R/PageLayout/OneColumn/Pages 193 0 R/StructTreeRoot 9 0 R/Type/Catalog>> endobj 197 0 obj <>/Font<>>>/Rotate 0/StructParents 0/Tabs/S/Type/Page>> endobj 198 0 obj <>stream